Electronic Access for Architectural Records: EAD-Encoded Finding Aid

Finding Aid Encoded in SGML, According to EAD Document Type Definition
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<?filetitle Farrand (Beatrix Jones) Collection, 1866-1959>
<ead>
<eadheader audience="internal" langencoding="ISO 639-2"
findaidstatus="unverified-full-draft">
<eadid type="SGML catalog">PUBLIC "-//University of California,
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Archives//TEXT
(US::CU-CEDA::1955-2::Beatrix Jones Farrand Collection)//EN"
"farrand.sgm"</eadid>
<filedesc><titlestmt><titleproper>Beatrix Jones Farrand Collection, 
<date>1866-1959</date></titleproper> 
<author>Processed by the Archives Staff; machine-readable 
finding aid created by Archives Staff and the Electronic Text
Unit Staff</author></titlestmt> <publicationstmt>&hdr-cu-ceda;
<date>&copy; 2000</date><p>The Regents of California. 
All rights reserved.
</p></publicationstmt>
<notestmt>
<note>
<p>
<subject source="othersource" othersource="cdl">
Arts and Humanities--Architecture</subject>
<subject source="othersource" othersource="cdl">
History--United States and North American History</subject>
</p>
</note>
</notestmt>
</filedesc> <profiledesc><creation>Machine-readable finding aid 
created by Kelcy Shepherd.<date>April 17, 2000</date></creation>
<langusage>Description is in <language>English</language>
</langusage></profiledesc> </eadheader><frontmatter>
<titlepage><titleproper>Beatrix Jones Farrand
Collection, <date>1866-1959</date></titleproper>
<num>Collection Number: 
1955-2</num> <publisher>Environmental Design Archives
<lb><extptr actuate="auto" show="embed" entityref="cedlogo">
<lb>University of California, Berkeley
<lb>Berkeley, California</publisher>&tp-cu-ceda;
<list type="deflist"><defitem>
<label>Processed by: </label>
<item>Archives Staff</item></defitem> 
<defitem><label>Date Completed: </label>
<item>March 2000</item></defitem> 
<defitem><label>Encoded by: </label>
<item> Archives Staff</item></defitem> 
<defitem><label>Funding:  </label>
<item>Arrangement and description of this collection was funded by 
the Department of Landscape Architecture and Environmental Planning 
and by a grant from the Getty Foundation.</item></defitem></list> 
<p>&copy; 1999 The Regents of the University of California. 
All rights reserved.</p></titlepage></frontmatter>
<archdesc langmaterial="en" level="collection "><did>
<head>Descriptive Summary</head>
<unittitle label="Collection Title">Beatrix Jones Farrand 
Collection, <unitdate type="inclusive">1866-1959</unitdate>
</unittitle> 
<unitid label="Collection Number">1955-2</unitid>
<origination label="Creator">
<persname encodinganalog="100">Farrand, Beatrix Jones, 
1872-1959</persname></origination>
<physdesc label="Extent">16 cartons, 22 boxes, 1 half box, 
6 flat boxes, 5 card file boxes, 20 flat file drawers</physdesc>   
<repository label="Repository"><corpname>Environmental Design 
Archives.</corpname><address><addressline>University of California, 
Berkeley.</addressline><addressline>Berkeley, 
California.</addressline></address></repository> 
<abstract label="Abstract">The collection consist of personal and 
professional papers, records of Farrand's work as a landscape 
architect, and records relating to the Reef Point Library.
</abstract></did>
<admininfo><head>Administrative Information</head> 
<accessrestrict><head>Access</head><p>Collection is open for 
research.</p></accessrestrict> <userestrict><head>Publication 
Rights</head>
<p>All requests for permission to publish, reproduce, or quote 
from materials in the collection should be discussed with the 
Curator.</p></userestrict> 
<prefercite><head>Preferred Citation</head>
<p>[Identification of item], Beatrix Jones Farrand Collection, 
(1955-2), Environmental Design Archives. University of California, 
Berkeley. Berkeley, California.</p></prefercite>
<acqinfo><head>Acquisition Information</head>
<p>The collection was donated by Beatrix Jones Farrand in 
1955, as part of the Reef Point Library records.</p></acqinfo>
</admininfo>
<controlaccess>
<head>Access Points</head>
<subject encodinganalog="650" source="lcsh">
Landscape architects--Northeastern States.</subject>
<subject encodinganalog="650" source="lcsh">
Landscape architecture--Northeastern States.</subject>
<subject encodinganalog="650" source="lcsh">
Garden structures.</subject>
<subject encodinganalog="650" source="lcsh">
Women landscape architects.</subject>
<corpname encodinganalog="710">
Reef Point Gardens Library.</corpname>
<corpname encodinganalog="710">Dumbarton Oaks.</corpname>
<corpname encodinganalog="710">Princeton University.</corpname>
</controlaccess>
<bioghist><head>Biography</head>
<p>Beatrix Jones Farrand (1872-1959)</p>
<p>Beatrix Farrand, the first noted woman landscape architect of 
her generation, was born in New York City on June 19, 1872.  
Her father, Frederick Rhinelander Jones, came from a wealthy 
family of Dutch and English ancestry.  Her mother, 
Mary Cadwalader (Rawle), was a Philadelphia debutante.  
Beatrix Farrand was, in her words, "the product of five 
generations of garden lovers."  Her grandmother 
owned one of the first espaliered fruit gardens in 
Newport, Rhode Island.  As a child, Beatrix observed 
the laying out of the grounds of Reef Point, her 
parents' summer home at Bar Harbor, Maine.  Reef Point 
was later the site of one of the most ambitious projects 
of her career.</p>
<p>Tutored at home, Farrand frequently traveled abroad with 
her mother and with her father's sister, the writer 
Edith Wharton.  The novelist aided her niece and 
sister-in-law financially after the Joneses were divorced 
(sometime before Beatrix was twelve).  Mary Cadwalader Jones 
acted as a part-time literary agent for Wharton, and managed 
the New York assembly balls for a number of years.  She 
was a close friend of writer Henry James and often entertained 
other distinguished writers and artists.</p>
<p>As a young adult, Farrand was invited to study horticulture 
and live for several months at Holm Lea, the estate of Charles 
Sprague Sargent, near Brookline, Massachusetts.  Sargent, 
the founder and first director of the Arnold Arboretum in Boston, 
introduced Jones to the principles of landscape design.  
Although she developed her own philosophy of design, 
she always followed Sargent's early advice "to make the 
plan fit the ground and not twist the ground to fit a plan."</p>
<p>Furthering her education, Farrand traveled to England a
nd continental Europe to study traditional gardens.  Her 
studies with Sargent and her travels through Europe were the 
extent of Farrand's landscape training.  There were no formal 
schools of landscape architecture prior to 1900, when Harvard 
opened a program that was limited to men.</p>
<p>Farrand returned to New York in 1895 and opened a landscape 
design office.  Within a short time she established a 
distinguished list of clients and could count among her 
patrons on Long Island and in Maine Edward Whitney, Willard 
Straight, and J. P. Morgan.  For nearly fifty years, she was 
consulting landscape architect for Abby Aldrich Rockefeller's 
garden at Seal Harbor, Maine.  In 1899 Farrand joined Frederick 
Law Olmsted, Charles Eliot, and others in founding the 
American Society of Landscape Architects.</p>
<p>An early influence on Farrand was William Robinson, 
the English landscape architect and author of The Wild Garden.  
She also admired the work of the celebrated English landscape 
gardener Gertrude Jekyll who, like Robinson, advocated the use 
of wild and native materials.  Her lifelong associate, the 
landscape architect Robert Patterson, later wrote that Farrand's 
work had a "freedom of scale," "a subtle softness of line and 
an unobtrusive asymmetry."</p>
<p>Farrand's reputation for thoroughness and certainty of 
approach gained her a wide assortment of private and public 
landscape commissions.  Among her major projects were 
Dartington Hall, an English estate of more than 2,000 acres, and 
the Graduate College gardens at Princeton University.  At Yale, 
beginning in 1923, Beatrix Farrand designed the Memorial 
Quadrangle gardens and, in cooperation with the departments 
of botany and forestry, established a maintenance program 
that long remained in effect.  She designed the West Rose 
Garden of the White House for Mrs. Woodrow Wilson, and served 
as landscape consultant to Vassar College, the University 
of Chicago, Oberlin College, the California Institute of 
Technology, and Occidental, among other universities.</p>
<p>Dumbarton Oaks, in Washington, D.C., is among Farrand's 
most acclaimed projects.  Working closely with her friend 
Mildred Bliss, who was herself an imaginative gardener, 
she transformed what had once been a farm into a unique 
garden that incorporated characteristics of traditional French, 
English, and Italian garden designs.  Mildred and Robert 
Woods Bliss, a diplomat, purchased the property in 1920, 
and the gardens evolved under Farrand's direction over the 
next twenty years.  "Never...did Beatrix Farrand impose on 
the land an arbitrary concept," wrote Mildred Bliss.  
"She 'listened' to the light and wind and grade of each area."  
Of all her designs, only the gardens at Dumbarton Oaks survive 
essentially unchanged.</p>
<p>Keeping a small office in New York, Farrand traveled constantly 
among assignments in Maine, New York, and Washington, 
supervising the planting and construction of her garden designs. 
Over her fifty-year career, Farrand designed approximately 200 
gardens.  She received many awards, including the Garden Club 
of America Medal of Achievement (1947) and the New York Botanical 
Garden Distinguished Service Award (1952).</p>
<p>In 1913, Beatrix Jones married Max Farrand, a noted 
authority on Benjamin Franklin, the author of several books 
on American constitutional law, and chairman of the Yale 
University History Department.  In 1927 her husband became 
director of research at the Huntington Library in San Marino, 
California, but the Farrands made their home principally at 
Bar Harbor.  Beatrix Farrand devoted the last years of her 
life to Reef  Point Gardens, a project she and her husband 
had begun in the early 1920s.  Designed for both scholarly and 
experimental purposes, Reef Point ultimately included a test 
garden of native flora, a library (which included the 
original garden plans of Gertrude Jekyll), and an 
herbarium.  By 1945, the year that Farrand's husband 
died, the library was regarded as one of the best sources 
on the history of garden design.</p>
<p>In 1955, concerned about the survival of Reef Point Gardens 
following Bar Harbor's refusal to grant it tax-exempt status, 
Farrand transferred the contents of her large collection 
of fine art prints and horticulture books, the herbarium, 
and her own correspondence to UC Berkeley's Department of 
Landscape Architecture.</p>
<p>Beatrix Farrand died at Bar Harbor in 1959.</p>
<p>Sources:
<lb>Balmori, Diana; McGuire, Diane Kostial; and 
McPeck, Eleanor M. "Beatrix Farrand's American Landscapes: 
Her Gardens and Campuses" (Sagaponack, NY: Sagapress, 1985).</p>
<p>Brown, Jane. "Beatrix: The Gardening Life of Beatrix Jones 
Farrand, 1872-1959" (New York : Viking, 1995).</p>
<p>Iovine, Julie V. "The Impeccable Gardener," American 
Heritage, June-July 1986, pp. 67-77.</p>
<p>Salon, Marlene. "Beatrix Jones Farrand: Pioneer in 
Gilt-Edged Gardens,"Landscape Architecture, Jan. 1977, 69-77</p>
</bioghist>
<scopecontent><head>Scope and Contents Note</head>
<p>Beatrix Jones Farrand donated a large collection of material 
to U.C. Berkeley's Landscape Department in a series of gifts 
beginning in 1955.  The donation consisted of drawings and 
papers relating to Farrand's practice as a landscape architect 
and material she collected for her Reef Point Library.  The 
library contained a large number of books on landscape design, 
prints of gardens, and the project records of other landscape 
and garden designers such as English landscape architect Gertrude 
Jekyll and American garden architect Mary Rutherford Jay.  
The donation was originally housed in Agriculture Hall 
except for a few very valuable or delicate books, 
which were stored at the Bancroft Library.  When the 
Landscape Department and the collection moved to Wurster Hall 
in 1964 and the became part of the College of Environmental 
Design (C.E.D.), the Reef Point book collection was 
added to the C.E.D. Library holdings.  Plans, prints, 
photographs, and correspondence were placed in the C.E.D. 
Documents Collection (now the Environmental Design Archives).  
Because the Jekyll and Jay material constituted collections in 
themselves, they were separated from the Farrand records and 
treated as their own collections.  At some point, probably at 
the time of the relocation of the Department to Wurster Hall, 
Farrand's plant samples were given to the Horticulture Collection 
at the University Herbarium Office.</p>
<p>The Farrand collection is arranged in seven series.  Personal 
Papers consists of Farrand's diary, student drawings, records of 
her travels in Europe, family records, and photographs. 
Professional Papers contains awards, association memberships, 
and articles by Farrand.  Also included in this series are the 
lecture notes and glass lantern slides she used in her talks on 
landscape architecture.  Some of the slides are colorized to 
show urban landscapes with and without Farrand's proposed 
alterations.</p>
<p>The third and fourth series document Farrand's professional 
career.  Office Records is a small series comprised primarily 
of correspondence.  Project Records is the largest series and 
contains project files, photographs, and drawings.  Some of the 
most well-known projects include Dumbarton Oaks in Washington D.C., 
Dartington Hall in Devonshire, England, and Princeton University.  
Farrand documented most of her finished gardens with photographs, 
and therefore there is a fairly comprehensive collection of project 
photographs and negatives.  Several larger project photographs 
were entered in exhibits; these are located in the Professional 
Papers series.  In addition to numerous working drawings and 
planting plans, there are watercolor renderings of some designs.</p>
<p>The fifth and sixth series relate to Reef Point, Farrand's 
estate in Bar Harbor Maine and the research collection housed 
therein, the Reef Point Library.  The Reef Point Records series 
documents the administration of the house, garden, and library 
and includes correspondence, planting plans, and acquisition and 
book lists for the library.  There is also a limited amount of 
correspondence and photographs regarding the transfer and 
housing of the research collection at the University of California, 
Berkeley.  Research Records is comprised of photographs and 
prints of gardens, architecture, natural landscapes, gates, and 
statuary, to name a few.  Farrand collected the items on her trips 
throughout Europe and the United States.  The size, medium, 
and value of the material vary greatly from miniature postcards, 
to large fine art prints.  The final series, Additional Donations, 
has a small amount of information, primarily on the Black 
House.  This series contains records acquired separately 
from Farrand's original donation.</p></scopecontent>
<dsc type="analyticover">
<head>Series Description</head>
<c01 level="series"><did> <unittitle>I.   Personal Papers , 
<unitdate type="inclusive">1872-1947  </unitdate></unittitle> 
<container>Boxes 1, 2, 20, 30, Flat Files  </container></did>
<c02 level="subseries"><did> 
<unittitle>A.   Biographical and Family Information 
</unittitle> </did> <scopecontent>  
<p>Contains her birth certificate and papers belonging to 
her mother Mary Cadwalader Jones and her husband Max 
Farrand.</p></scopecontent>
</c02><c02 level="subseries"><did><unittitle>B.   Garden Journal , 
<unitdate type="inclusive">1893-1895</unitdate></unittitle></did> 
<scopecontent>  
<p>One bound volume of horticulture and gardening notes entitled, 
"Book of Gardening."</p></scopecontent>
</c02><c02 level="subseries"><did> <unittitle>C.   Correspondence 
</unittitle> </did> 
<scopecontent>  
<p>Includes correspondence and clippings related to the 
1947 Bar Harbor fire.</p></scopecontent>
</c02><c02 level="subseries"><did><unittitle>D.   Travel</unittitle>
</did> 
<scopecontent><p>Contains photographs of her shooting trip to 
Scotland.</p></scopecontent>
</c02><c02 level="subseries"><did>
<unittitle>E.   Clippings</unittitle> </did>
</c02><c02 level="subseries"><did> 
<unittitle>F.   Photographs and Portrait 
</unittitle> </did> 
<scopecontent>  <p>Consists of photographic portraits of 
Beatrix Farrand, Max Farrand, family members, and Frederick Law 
Olmsted.  Also contains an oil portrait of her painted in 1896, 
by S. C. Sears.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>G.   Drawing Exercises </unittitle> </did> 
<scopecontent>  <p>Consists primarily of drawings of 
geometric forms and classic orders.  None of the exercises 
are signed.  Also includes two pencil sketches of the grounds 
at Harvard by Leonard Bartlett, Jr.</p></scopecontent>
</c02></c01><c01 level="series"><did> 
<unittitle>II.   Professional Papers , 
<unitdate type="inclusive">1910-1959  </unitdate></unittitle> 
<container>Boxes 2, 3, 22, 23, 28, 31, 33, 35  </container></did>
<c02 level="subseries"><did> 
<unittitle>A.   Correspondence </unittitle> </did> 
<scopecontent>  <p>Includes designs for her own monogram and 
correspondence with H. Leland Vaughn.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>B.   Writings/Lectures/Exhibits </unittitle> 
<container>Arranged alphabetically by title when given.  
</container></did> <scopecontent>  
<p>Contains a collection of about 30 typed manuscripts that 
were either presented as lectures or published as articles as 
well as photographic prints of her work that were included in 
the Architectural League of New York Exhibit and the A.I.A., 
Philadelphia Chapter, Exhibit.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>C.   Glass Lantern Slides 
</unittitle> </did> 
<scopecontent>  <p>Some of these slides were used with her 
lectures.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>D.   Associations and Committees 
</unittitle> </did> 
<scopecontent>  <p>Records relating to the Bar Harbor 
Village Improvement Association and the Garden Club of 
America.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>E.   Awards </unittitle> </did> 
<scopecontent>  <p>Professional awards and certificates, 
including three gold prizes, from the Garden Club of America, 
the Garden Club Federation of Maine, and the Massachusetts 
Horticulture Society.</p></scopecontent>
</c02></c01><c01 level="series"><did> 
<unittitle>III.   Office Records , 
<unitdate type="inclusive">1909-1932  </unitdate></unittitle> 
<container>Box 4  </container></did> 
<scopecontent><p>Contains correspondence, photographs of statuary 
from an Italian vendor, and notes on projects.</p></scopecontent>
</c01><c01 level="series"><did> 
<unittitle>IV.   Project Records , 
<unitdate type="inclusive">1892-1954  </unitdate></unittitle> 
<container>Boxes 4-10, 24, 26, 28, 31, 35, 36  </container></did> 
<scopecontent>
<arrangement>
<p altrender="italic">Arranged alphabetically by project, within 
subseries.</p></arrangement> 
<p>This series comprises the largest portion of the 
collection and contains project records for 110 commissions, 
including those related to Dumbarton Oaks, Hamilton College, 
Harvard University, Mount Desert Island Hospital, Oberlin College, 
Princeton University, and the White House Rose Garden.  
This series also contains a large number of Farrand's funerary 
designs, from entire cemetery plans to individual headstones 
(including her design for the headstone of President Theodore 
Roosevelt).</p></scopecontent>
<c02 level="subseries"><did> 
<unittitle>A.   Files </unittitle> </did> 
<scopecontent><p>Project files include plant lists and 
correspondence.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>B.   Photographs </unittitle></did> 
<scopecontent>  <p>Includes a large number of small photographs 
Farrand or her assistant, Anne Baker, took of projects.  The 
Clement Newbold Estate in Jenkintown, Pennsylvania is particularly 
well documented in large photographs.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>C.   Drawings </unittitle> </did> 
<scopecontent>  <p>Contains topographic maps, site analyses, site 
plans, sketch details, perspective sketches, construction drawings, 
planting plans, and watercolor renderings.  Collaborations with 
the architectural firms of Carrere & Hastings, Delano & Aldrich, 
Hunt & Chambers, Grosvenor Atterbury, Bertram Grosnevor Goodhue, 
and Frank W. Ferguson are included.  There is also a watercolor 
of a garden niche at Land's End (later moved to the Mount, 
Edith Wharton's residence) by Ogden Codman, co-architect with 
Farrand of The Decoration of Houses.</p></scopecontent>
</c02></c01><c01 level="series"><did> 
<unittitle>V.   Reef Point Papers , 
<unitdate type="inclusive">1890-1956  </unitdate></unittitle> 
<container>Boxes 10-12, 28, 31  </container></did>
<c02 level="subseries"><did> 
<unittitle>A.   Reef Point Library, Maine 
</unittitle> </did> 
<scopecontent>  <p>Comprised of records relating to the 
administration of the Reef Point Library and grounds. Includes 
correspondence, financial records, library catalogs, annual 
reports, photographs, and plans.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>B.   Reef Point Library, U.C. 
Berkeley </unittitle> </did> 
<scopecontent>  <p>Consists of papers regarding the administration 
of Reef Point, Farrand's Estate in Maine, and its relocation to 
U.C. Berkeley in 1955.</p></scopecontent>
</c02></c01><c01 level="series"><did> 
<unittitle>VI.   Research Records , 
<unitdate type="inclusive">1910-1939  </unitdate></unittitle> 
<container>Boxes 12-21, 25-27, 29, 32-34  </container></did> 
<scopecontent>  <p>Because Farrand's personal papers, 
professional papers, and the material from the Reef Point 
reference collection had been interfiled prior to the processing 
of the collection by the Environmental Design Archives, it is 
difficult to distinguish between material that was organized in 
these groups.  In fact, it is possible that Farrand may not have 
made clear distinctions between these areas herself.  As a result, 
reference material that may have originally been part of her 
personal papers, professional files, or the Reef Point Library, 
but can no longer be separated according to these categories, 
have been combined in this series, Research Records.</p>
<p>This series contains photographs, prints, postcards and other 
material Farrand collected on her travels and then assembled 
as a research collection.</p></scopecontent>
<c02 level="subseries"><did> 
<unittitle>A.   Purchased Images </unittitle> </did> 
<scopecontent><arrangement>
<p altrender="italic">Arranged by location (country) if given or 
by type (e.g. architecture, garden, sculpture).  Within these 
distinctions, photographs and prints are separated.</p>
</arrangement> 
<p>Contains prints and photographs of European gardens and garden 
furniture, and hand-tinted images of American gardens.</p>
</scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>B.   Fine Art Etchings </unittitle> </did> 
<scopecontent>  <p>In the fine art horticulture print 
collection are works by Pannini (e.g., the Villa Lante) and 
Piranesi (e.g., a part of the Villa d'Este). French prints 
include those by Rigaud, and Israel Silvestre's views of 
Versailles.  Also included is a series of vues optiques: 
popular viewing entertainment scenes including depictions of 
Constantinople, Rome, Spain, Germany, France, and Holland.</p>
</scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>C.   Postcards </unittitle> 
<container>Arranged by location (country) if given or by type (e.g. 
architecture, garden, sculpture).  </container></did> 
<scopecontent>  
<p>Document mostly European gardens and American architecture and 
landscapes.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>D.   Gravestone Rubbing</unittitle> </did>
</c02><c02 level="subseries"><did> 
<unittitle>E.   Clippings and Transcriptions of Articles
</unittitle> </did>
</c02></c01><c01 level="series"><did> 
<unittitle>VII.   Additional Donations 
</unittitle> <container>Box 19, Flat Files  </container></did>
<c02 level="subseries"><did> 
<unittitle>A.   Krall </unittitle> </did> 
<scopecontent>  <p>2 volumes and letters.</p></scopecontent>
</c02><c02 level="subseries"><did> 
<unittitle>B.   Santa Barbara Botanic Garden 
Blueprints </unittitle> </did>
</c02><c02 level="subseries"><did> 
<unittitle>C.   Black House, Ellsworth, Maine 
</unittitle> </did> 
<scopecontent>  <p>Contains photocopies of correspondence. The 
originals are on file at the Black House Museum.</p></scopecontent>
</c02></c01></dsc>
<add>
<head>Additional Information</head>
<relatedmaterial>
<head>Related Collections</head>
<archref actuate="auto" show="embed">
<unittitle>Beatrix Farrand Library Collection,</unittitle>
<repository><corpname>Environmental Design Library</corpname>
<address><addressline>UC Berkeley</addressline>
<addressline>Berkeley, CA</addressline></address></repository>
</archref>
<archref actuate="auto" show="embed">
<unittitle>Horticulture Collection,</unittitle>
<unitid>(Lot 5453),</unitid>
<repository><corpname>University Herbarium Office,</corpname>
<address><addressline>UC Berkeley</addressline>
<addressline>Berkeley, CA</addressline></address></repository>
</archref>
<archref actuate="auto" show="embed">
<unittitle>Beatrix Jones Farrand Papers,</unittitle><unitid>
(IV A-4 BJF),</unitid>
<repository><corpname>Harvard University Arboretum</corpname>
<address><addressline>Cambridge, MA</addressline>
</address></repository></archref>
<archref actuate="auto" show="embed">
<repository><corpname>Dumbarton Oaks Center for 
Studies in Landscape Architecture</corpname>
<address>
<addressline>Washington, DC</addressline></address></repository>
</archref>
<archref actuate="auto" show="embed">
<repository><corpname>Library and Herbarium at the Santa Barbara 
Botanic Garden</corpname>
<address>
<addressline>Santa Barbara, CA</addressline></address></repository>
</archref>
</relatedmaterial>
</add>
</archdesc></ead>
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