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ENV DES 1
PEOPLE AND ENVIRONMENTAL DESIGN
DE MONCHAUX
(3)
Course may be repeated for credit. Student will receive no credit for 1
after taking 4. Three hours of lecture and two hours of discussion per
week. Environmental design involves the study of built, natural, global,
and virtual environments. Various forms of practice include
architecture, planning, urban design, and social and environmental
activism. This course is a survey of relationships between people and
environments, designed and non-designed, with an introduction to the
literature and professional practices. Open to all undergraduate
students in the College of Environmental Design as well as other
colleges and majors.
Extended Course Description
To come.
ENV DES R3B
READING & COMPOSITION SUSTAINABILITY & ENVIRONMENTAL DESIGN
WESSEL
Three
hours of lecture per week. Prerequisites: UC Entry Writing Requirement
or UC Analytical Writing Placement Exam. R1A or equivalent course is
prerequisite to R1B. Course may be repeated for credit. This course will
expose students to key literature that examines, primarily, the
relationship between sustainability and environmental design
disciplines. Our goal will be not only to investigate the central ideas
that inform the design of sustainable landscapes, cities, and buildings,
but also to understand how competing arguments are presented in
writing.
Extended Course Description
This
course will expose students to key literature primarily of the last two
decades that examines the relationship between sustainability and
environmental design disciplines. Our goal will be not only to
investigate the central ideas that inform the design of sustainable
landscapes, cities and buildings, but also to understand how competing
arguments are represented in writing.
Though
there is broad consensus amongst scientists that climate change exists
and is accelerating, there are many non-specialists who remain skeptical
or do not think the issues are of urgent significance. Those who are
committed to sustainability and who wish to see their ideas gain
influence must therefore be concerned with the art of persuasion. The
huge (if short –lived) popular success of Al Gore’s widely viewed film
and related book, An Inconvenient Truth, was due in large measure to the
way Gore wove a complex array of facts into a compelling and accessible
narrative.
Those
in favor of sustainable design must make the case for a way of thinking
that is based on radically different assumptions from those that have
guided the built environment professions since the rise of
industrialization. As such, arguments in favor of sustainability
necessarily present visions of a different (and hopefully better) world.
But how different are these worlds from the present, and in what ways?
How are arguments about sustainable futures informed by the past? Is
sustainable design a question of doing things the way we always have
done them, but with greater efficiency? Or does the design of
sustainable environments involve questioning not only the way we design
buildings, cities and landscapes, but also, the types of social
organization they give form to? Where do questions of sustainable design
begin and end?
We
will focus on three issues: first, on understanding the central
arguments and concepts advanced by the course readings; second, on
understanding the means of representation (the genres of writing and
narrative voice, relationship between text and image, use of visual,
statistical, historical, geographical evidence, amongst others); and
finally, on developing a analytical and critical understanding of how
different modes of writing shape the ideas we are trying to communicate.
Students
will read a series of literature organized according to the style of
argumentation that predominates in each. We will begin investigating
writings on the present as an ecological emergency. This is followed by a
sequence of texts that move from acerbic critique of current
lifestyles, through accounts that link the production of sustainable
environments to visionary thinking. These texts focused on the current
issues of sustainability combined with lessons on various genres of
writing serve as the basis of the course that will enable students to
develop analytical and critical evaluative skills for reading and
composition.
ENV DES 10
THE HISTORY OF THOUGHT IN ENVIRONMENTAL DESIGN
COMERIO
(3)
Three hours of lecture/seminar per week. Prerequisites: None. Open to
all undergraduates in the College of Environmental Design and other
colleges and majors. With emphasis on key events of the 20th and now
21st century, this course introduces the big ideas and individuals that
have shaped architecture, urban planning, and landscape architecture.
Extended Course Description
This
is an introductory course focused on “great books” in Environmental
Design—that is, in architecture, planning, landscape architecture, urban
design and environmental policy. Students will read 5 required books
for discussion in class and choose 2 books from a longer list as the
basis for assigned papers. Obviously, there are many great books in each
field and this course can only introduce a few, but the intention is to
look at the thinking and ideas that have shaped the fields represented
in the College of Environmental design.
ENV DES 11A
INTRODUCTION TO VISUAL REPRESENTATION AND DRAWING
SULLIVAN
(4)
Two hours of lecture and six hours of studio per week. Prerequisites:
1. Introductory studio course: theories of representation and the use of
several visual means, including free hand drawing and digital media, to
analyze and convey ideas regarding the environment. Topics include
contour, scale, perspective, color, tone, texture, and design.
Extended Course Description
To come.
ENV DES 11B
INTRODUCTION TO DESIGN
PLYMALE
(5)
Three hours of lecture, six hours of studio, and two hours of
laboratory per week. Prerequisites: 11A. Introduction to design concepts
and conventions of graphic representation and model building as related
to the study of architecture, landscape architecture, urban design, and
city planning. Students draw in plan, section, elevation, axonometric,
and perspective and are introduced to digital media. Design projects
address concepts of order, site analysis, scale, structure, rhythm,
detail, culture, and landscape.
Extended Course Description
To come.
ENV DES 100
THE CITY: THEORIES & METHODS IN URBAN STUDIES
CENZATTI
(4)
Three hours of lecture, one hour of discussion, and three to four hours
of reading, analysis, and research per week. This course is concerned
with the study of cities. Focusing on great cities around the world -
from Chicago to Los Angeles, from Rio to Shanghai, from Vienna to Cairo
it covers of historical and contemporary patterns of urbanization and
urbanism. Through these case studies, it introduces the key ideas,
debates, and research genres of the interdisciplinary field of urban
studies. In other words, this is simultaneously a "great cities" and "great theories" course. Its purpose is to train students in critical analysis of the socio-spatial formations of their lived world.
Extended Course Description
To come.
ENV DES 101B
WRITING ABOUT ENVIRONMENTAL DESIGN: LONGER COMPOSITIONS
LIFCHEZ
(2-4)
Course may be repeated once for credit. Three hours of laboratory per
week and one-half hour tutorial every other week. Prerequisites: English
1B and consent of instructor. Formerly 101. This course may serve as an
addendum to 101A: Short Compositions. Enrolled students are required or
have elected to write an undergraduate thesis. The objective of the
course is to assist with this process by defining a topic and
constructing a research agenda by which the topic is explored and
developed as prose. Students will write the longer composition within a
support group which is both critical and encouraging of the individual
effort. Topics are individually chosen but refined in concert with the
instructor to ensure that the student's objectives can be satisfied
within the semester.
The Notebook
The
Notebook, Journal, Log, and Diary are various terms for the personal
account kept by authors, architects, and artists, as a first step toward
producing a work of literary, professional or artistic merit.
The Notebook emerges overtime in response to a disciplined approach to
writing regularly about an interest. Illustrations highlight and augment
the text.
The
intention of this classes is to encourage students, interested in the
built environment, to work with words and narrative, so that their
understanding of the relationship between people and buildings, objects,
and spaces is not limited to what is only observable but is also
indicative of felt experience.
The
class is conducted as a workshop, with students' writings serving as
the text for the weekly discussions. The objectives are (1) to improve
one's craft by recognizing the
strengths of the personal voice (2) to develop a sensitivity to the
importance of the critic as a positive voice in addressing others'
writing.
The
Notebook is conceived of as one long composition, the result of 14
weekly writing and reading assignments (principally short stories). The
outcome is a personal narrative comprised of the responses to the
semester's writings.
ENV
DES 101A and ENV DES 101B have special approval as creative writing
courses for the Creative Writing Minor. CONTACT
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ENGLISH DEPARTMENT CREDIT CONTACT
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ENV DES C169B
AMERICAN CULTURAL LANDSCAPES, 1900 TO PRESENT
GROTH
(4)
Three hours of lecture and one hour of discussion per week. Introduces
ways of seeing and interpreting American histories and cultures, as
revealed in everyday built surroundings--homes, highways, farms,
factories, stores, recreation areas, small towns, city districts, and
regions. Encourages students to read landscapes as records of past and
present social relations, and to speculate for themselves about cultural
meaning. Also listed as American Studies C112B and Geography C160B.
Extended Course Description
To come.
ENV DES 170
THE SOCIAL ART OF ARCHITECTURE
LIFCHEZ
(3)
Course may be repeated by students working on thesis or dissertation.
Two hours of seminar per week. What is the social art of architecture in
America? What was it historically, where is it now, where is it
going--and why should you care? In this course, we will explore
contemporary and historic attempts to confront social needs through
themes: Design by Professionals (Architects, City Planners, Urban
Designers, Sociologists, Philosophers, Philanthropists), and Design by
Laypeople (Squatters, Intentional Communities, Do It Yourself). The
objective is to discharge the false dualism that has emerged in
architecture between social concerns and creative design.
Extended Course Description
What
is the social art of architecture in America? What was it historically,
where is it now, where is it going--and why should you care? In this
course, we will explore contemporary and historic attempts to confront
social needs through themes: Design by Professionals (Architects, City
Planners, Urban Designers, Sociologists, Industrialists, Philosophers,
Philanthropists), and Design by Laypeople (Squatters, Intentional
Communities). The objective is to discharge the false dualism that has
emerged in architecture between social concerns and creative design.
Class
readings can be found on B Space under Resources. Additional readings
may be e-mailed or handed out in class. There will be a weekly writing
assignment, a seminar report, plus a final paper of 5-10 pages plus
references and 5 images.
ENV DES 195
SENIOR THESIS
STAFF
(4)
Prerequisites: Limited to students with approved individual majors in
the College of Environmental Design. Credit option: Course may be
repeated once for credit. Directed study leading to preparation of a
senior thesis.
Extended Course Description
To come.
ENV DES 252
URBAN PLACE STUDIES
BOSSELMANN
(3)
Three hours of seminar per week. Prerequisites: Students must be in the
Master of Urban Design program or obtain consent of instructor. Seminar
focuses on individual urban design interests, the design and research
work that students are pursuing in other courses, and development of
thesis or final design projects.
Extended Course Description
To come.
ENV DES 298
ENVIRONMENTAL DESIGN GROUP STUDIES
KELLOGG
(1-4)
Course may be repeated for credit. One to four hours of directed group
study per week. Four to fourteen hours of directed group study for four
weeks. Prerequisites: Consent of instructor. Grading option: Must be
taken on a satisfactory/unsatisfactory basis. Topics to be announced at
the beginning of each semester.
Extended Course Description
To come.
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